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Monday, January 30, 2012

15 companies including Google, Facebook, Microsoft, Yahoo and PayPal have joined forces to try and combat Phishing scams via email. The partnership has created a new antiphishing standard called Domain-based Message Authentication, Reporting, and Conformance DMARC.org.
The new standard has been created to provide a system for verifying e-mails are originating from legitimate companies and not impostors trying to trick Internet users into clicking a phishing link. Providing companies with a legitimate way to communicate with their customers.
DMARC
The new DMARC standard has been built to fit into an organisation’s existing inbound email authentication process. The way it works is to help email receives determine if the purported message “aligns” with what the receiver knows about the sender.
Adam Dawes, a Gmail product manager explains: “About 15 percent of all e-mail in the Gmail in-boxes comes from these organizations that have published these DMARC records,”-”That means that these records can not be domain spoofed.”
Other large companies within the new new DMARC.org partnership include AOL, Bank of America, Fidelity Investments, American Greetings, LinkedIn, and e-mail security providers Agari, Cloudmark, eCert, Return Path, and Trusted Domain Project. For more information on the new standard jump over to the DMARC.org website.

Adobe has unveil a sneak peak at some of the new features you can expect to see in Adobe Photoshop CS6 when it arrives later in the first half of this year. New features demonstrated by Bryan O’Neil Hughes, Adobe’s senior product manager, revealed a dark photo backgrounds which can be enabled to provide more contrast between the photographs and the CS 6 Photoshop application. However if you prefer to use lighter shades you will be given the option of four to choose from.
Photoshop CS6
O’Neil explains in the video Sneak Peek #1: “We have a darker interface that allows for a more immersive experience,” O’Neil Hughes said. “We’re able to focus on the image and not on the interface itself.”
Adobe also revealed its new Camera Raw module, which can be used to edit the raw photos which have become more common as a file extension on many mainstream cameras over the past few years. The new Photoshop CS6 Camera Raw module gets the same editing controls as the Lightroom 4 beta, and shares the raw-processing engine.
As more information becomes available for the new Adobe CS6 software as always we will keep you updated.

Earliert today we showed you some photos and a video of the new Samsung Galaxy S Advance, and now Samsung has officially announced their latest Galaxy Smartphone.
The Samsung Galaxy S Advance features a 4 inch WVGA Super AMOLED display with a resolution of 480 x 800 pixels and it will come with Android 2.3 Gingerbread.
Other specifications on the Samsung Galaxy S Advance include a dual core 1GHz processor, plus 768MB of RAM, and a front facing 1.3 megapixel camera for video chat, on the back there is a 5 megapixel camera with auto-focus and an LED flash, the rear camera can record HD video in 720p at 30 frames per second.
The Samsung Galaxy S Advance also comes with Samsung’s custom TouchWiz user interface, and a choice of either 8GB or 16GB of built in storage, plus a microSD card slot which can take up to 32GB microSD cards.
Samsung have yet to announce how much the Galaxy S Advance will retail and it will go on sale in Europe in February.

Sunday, January 29, 2012

DoubleTwist has been updated and now has an integrated podcast catalogue, aside from some performance fixes. Before trying out the new feature though, take note that the added service will come with a price tag of £4.99.
The app has been a favourite by many as it allows users who have their music library on iTunes sync with their Android device. With podcasts now included, DoubleTwist just got better.
Developers of DoubleTwist opted to have some sort of a premium service, which will be a great addition to the app provided that you’re willing to shell out some money for the feature.
The update is not just all about the integrated podcast catalogue as users will also benefit from improved performance and stability. DoubleTwist’s function on AirPlay and AirTwist was also given a fix for better reliability.
With DoubleTwist already popular as it is, the added feature only makes it a more worth app to your growing collection.

Missing that tab feature present on other browsers when using Firefox? It’s finally coming, with Mozilla announcing an upcoming update to its browser that will not only bring that much-awaited tab feature but also some more features such as apps and chat functions down the line.
Incorporating apps will be rolled out much later but the tab feature will be available on version 12 of Firefox. Mozilla is also adding a home tab which is similar to Chrome but will have extra features thrown in.
The new tab grid also features your most viewed web sites so it’s easier to go to where you want to visit. The home tab will have so-called “launchers” for easy access. The rollout of the second phase of the home tab feature will also have apps, but that will come at a later time.
Despite the emergence of alternate browsers such as Chrome, Firefox has managed to keep in step somehow and prevent its loyal followers from shifting to another. With the addition of the tab feature and upcoming app integration, Firefox 12 will surely be something to look forward to.

Remember that 55-inch OLED TV unveiled by LG at the recent CES? It will be available in the second half of the year.
No less than the South Korean company gave the estimate date when asked by The Verge. LG didn’t give an exact date but did mention “sometime in second half.”  No other details were provided.
The Cinema 3D TV was one of those who got the attention of many visitors at the event in Las Vegas. Its vibrant picture quality and sleek design is truly a sight to behold.
The 55-inch is just 4mm thick and weighs 7.5kg, not too heavy considering its size. Its stunning display would surely be a fitting centerpiece to your home theatre. Pricing is still unavailable as of this time.

Saturday, January 28, 2012

Description

Today, we'll be creating a photo-realistic Apple wireless keyboard in Photoshop! In this tutorial, we'll whip-up the main keyboard in a few simple steps and then finish off the image by creating the keys, duplicating them, and adding icons on them!

Preview of Final Results

final-results

Download the PSD

Apple Keyboard.zip | 0.16 MB
Download from Website

How to Draw an Ultra Clean Apple Keyboard in Photoshop


Step 1

Let's start off by creating a New Document of any size. For this tutorial, I used a large 952 x 412 document.
step-001

Step 2

Unlock your Background layer by double clicking the lock icon. Grab your Paint Bucket Tool and fill it with the color #313338. Now, using your Rectangle Shape Tool, make a wide rectangle in the center of the canvas. Name this layer Border.
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Step 3

Turn down the Fill of your Border layer to 0%; double click it to bring up the Layer Styles window and apply the following effects.
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Your outcome should result in the following.
step-004b

Step 4

Duplicate your Border layer and name it Edge. After you've done so, apply the following layer effects.
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Step 5

Now, move your Edge layer a few spaces down using the Move Tool. You should have the following.
step-004d

Step 6

Duplicate your Border layer once again. Then move it above all the other layers and rename it Keyboard Base. Now we'll apply the last of the effects to the keyboard.
step-004e

step-005a

step-005b

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Currently, your outcome should look like this.
step-005d

Step 7

Now that you're done with the base of your keyboard, let's make some buttons for the keyboard. Since it's the same step for each button, you just need to make one and then duplicate the step for each additional one. To start, grab your Rectangle Tool and create a small rectangle at the top left of the keyboard. Name this layer button. This first shape will be your Escape/Esc key. Double click the layer and add the following effects.
step-005e

step-006a

step-006b

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Your key/button should look like this now! Looks pretty good, doesn't it?
step-007a

Step 8

Now, duplicate your "button" layer and place it in the appropriate places on the keyboard. All together, there should be 6 rows of keys. For some of the keys, you'll need to stretch your "button" layer to form the command button, space bar, etc. To do this, select the layer you wish to re-size and go to Edit > Free Transform. From there, hit shift and scale your layer to your desired height/width.
step-007b

Step 9

If you've completed all the above steps with success, you are basically done with your Apple Wireless Keyboard! You can now continue to add the numerals/letters on each key. When you're done doing so, you should have a pretty neat looking keyboard!

Download the PSD

Apple Keyboard.zip | 0.16 MB
Download from Website

Final Results

final-results[1]


Photo Manipulate a Surreal Sky Station Scene

In this tutorial I will show you how to create a surreal photo manipulation called “The Sky Station”. We’ll go through different techniques of manipulating, retouching, masking, using brush, coloring and much more.

Final Image

As always, this is the final image that we’ll be creating:

Step 1

Open sky 1 stock, crop the bottom of this picture to get a look below:

Step 2

On background layer, i use Lasso Tool to make a selection for dark sky part with feather = 20, then right click it, choose Layer via Copy. Move it up to hide a part of light rays. Name it as “cloud 1″:
Duplicate this layer twice, name them as “cloud 2″ and “cloud 3″ , and erase any unecessary parts:

Step 3

Now we will brighten a cloud part. On background layer, use Lasso Tool to make selection in sky with feather = 30. Copy it into a new layer ( right click, choose Layer via Copy) then set this layer on the top, name it “cloud 4″. Lower opacity to 30%:

Step 4

I want to achieve more dramatic effect for sky so i use another sky stock. Open it and make selection for only sky ( you can use similar images if you can’t download it from Photoxpress). Drag it into our canvas, resize and place it on the top:
Change the mode to Soft light 100% and use layer mask to hide rough edges of this part. Name this layer as “sky 1″.

Step 5

To make this sky part color fit the background I use a Hue/Saturation layer with Clipping Mask options. Choose Layer-New adjustment layer-Hue/Saturation:

Step 6

Drag sky from sky 2 stock into our canvas again. Resize and apply Flip Horizontal for it ( Edit-Transform-Flip Horizontal):
Call this layer as “sky 2″. Put the mode to Soft light 100% and use layer mask to clear any rough edges and a Hue/Saturation layer with Clipping Mask for this sky part. I use different settings for this Hue/Saturation layer:

Step 7

Now we will make the light for center of sky. On background layer, make a selection of sunlight part with feather = 30. Copy it into a new layer in the method used in previous steps. Place it on the top, name it “cloud 5″:
Move it to the center part of picture and transform a bit, add layer mask to hide some parts:
Duplicate it and transform it’s shape and with layer mask again, make a similar look like this below. Call it “cloud 6″:
Don’t worry if the light does not look good. We’ll do some steps to make it look better later.

Step 8

On background layer, i copy a dark sky part ( make selection , feather = 30) and paste in into a new layer which is set on the top. Place it to hide the sunlight on the right. Because we copy this part from background layer so when it’s put on the top, the light of sun still there. Use layer mask to clear it. Call it “cloud 7″:
Duplicate it ( call it “cloud 8″) and with same technique, we see the light there is reduced.

Step 9

Create two new layers with Soft light mode 50% and i use soft brush with color #c1c2c2 . Paint on dark parts of sky ( the top left and bottom right) to brighten them a bit.
There is a part of light in the center that needs to be fixed. Create a new layer and use soft white brush painting on it then change the mode to Soft light 100%:
I want to reduce the intensity of light in the center so i make a new layer and take brush with color #dad2c9. Paint on the light and around it. Lower opacity to 50%:

Step 10

Open building image. Use any tools you like to make selection for it then copy it into a new layer. Drag it into our document and situate it at the bottom center of picture:
As you see i just use the top of this building, call it “subway”. And you may notice that it’s too bright from background. So i use a Hue/Saturation layer with Clipping Mask to reduce brightness and change a bit of color :
Don’t down lightness too much as you can loose the contrast. We will do another method to make it darker in next step.

Step 11

Create two new layers with Clipping Mask. Take soft black brush and paint over this subway. Put the mode as Soft light 100% and 50%.

Step 12

There are some parts of subway that are darker than the rest. Make a new layers ( Clipping Mask) and use soft white brush painting on them. Change the mode to Soft light 100%:
As you see the main light source comes from center so the top part of subway which catch light needs to be a bit brighter than the rest. Make a new layer ( Clipping Mask) and use soft white brush with opacity and flow 50% painting on it. Set the mode to Soft light 50%:

Step 13

In an additional step to create light for subway, i use Inner Shadow effect. Right click subway layer, choose Blending options:
Notice that i put the settings of Angle as 90 to fit the light direction from background.

Step 14

Open traffic light stock. First make a selection for this part of it and copy it into our main document. Because it has a big size so we can easily resize and transform it. I stretch it longer and narrower:
Add layer mask for this part and erase the bottom with black brush:
Name it as “iron column”.

Step 15

Copy the light part and place it at the top of column, always remember to resize to make a suitable size. Call this layer “lights”.

Step 16

In this step we’ll make shadow for Traffic light. The light from background comes from behind this subject so it must have a shadow in front. Select column and lights layer, right click and choose Duplicate Layers. After that, right click these layers again, choose Merge Layers. Move this layer under column and lights layers, name it “traffic light shadow”. Apply Flip Vertical, transform and move it under the bottom of the column then reduce the lightness of it to -100 by Hue/Saturation ( hit Cmd/Ctrl+U to open this dialog). Lower opacity to 40%:
You should take care of the angle of this subway. The shadow should be on the same angle and shorter than the length of the column.

Step 17

To change color of “lights” to fit the background i use two adjustment layers with Clipping Mask:
Curves:
Hue/Saturation:

Step 18

The red light looks pretty dark so i want to enhance it. Make two new layers ( Clipping Mask), use brush with color #d5102e painting on the red part. Change the mode of these layers to Soft light 100%.

Step 19

I still want to fix this part of lights. Create a new layer above “lights” layer, name it “light 1″. Choose lights layer, make a selection as shown below:
Press Cmd/Ctrl+C to copy it then choose “light 1″ layer, press Cmd/Ctr+V to paste into. Move this part down to hide the part we want to fix. You should have a similar result like mine:

Step 20

Now we will add more light for traffic light layers by Inner shadow effect. I use different value of light intensity for each of these layers:
We have result:
After adding light we have an unwanted light part at the bottom of column:
To fix it, right click column layer , choose Indicates layer effect then Create Layer. Inner shadow effect now appears as a normal layer with Clipping Mask:
We can add layer mask for this layer and use black brush to clear any unwanted light effect:

Step 21

Open train stock. Extract it and place it into our canvas, resize and transform it. Apply Flip Horizontal to get a look below:
Call it “train 1″. Now our work is to remove all texts of train and then add the ones we like. Create 3 new layers with Clipping Mask. On each layer i make selection around the texts which need to be removed then fill it with approriate colors ( #141c1e, #1c1417, #888661).
I add Layer Style for the part below after filling to get rid of flat effect:

Step 22

Now we will add name and number to the train. Make a new layer ( Clipping Mask), hit T to active Type Tool, i use Candara font ( you can find it if you use Window Vista or Win 7) but sure you can use any fonts you feel approriate . Choose color #cccbbb and type “SKY 2 EXPRESS” with 11 pt as shown below:
Hit Warped text mode and choose Arc then put the settings below:
Hit Cmd/Ctrl+T and choose Warp mode to make a suitable curve for these texts:
Create a new layer and i use Impact font ( a default Window font) with 22 pt and same color ( #cccbbb). Type any numbers you want and transform it as the screenshot below shows:

Step 23

I make a Hue/Saturation layer ( Clipping Mask) to reduce saturation of the train to be fit the background:

Step 24

As you know some parts of train catch the light from background so they must be brighter. Make two new layers ( Clipping Mask) and use soft white brush painting on these parts. I set one layer to Soft light 100% and another to Overlay 100%:
A new layer with the purpose to brighten train head as it’s pretty dark. Use soft white brush on it and set the mode of Soft light 50%:

Step 25

In this step we add more light for the train with a method used before. Right click the train, choose Blending options:
I use a new layer ( no Clipping Mask) on the top to reduce light on some parts of train. Choose brush with color #727369 and paint on them and put the mode as Multipy 50%:

Step 26

Open train stock and move isolated train into our canvas again, place it on the right side, remember to make the size bigger than train 1. Position it to leave only the last carriages visible on the image:
Name it “train 2″.
Add a Hue/Saturation layer with Clipping Mask for train 2:
To brighten it, i use two layers ( Clipping Mask), Soft light mode 100% and paint with white brush:
Add glowing light for train 2 with Inner Shadow effect:

Step 27

To add some mist effect for trains, make a new layer on the top. Set foreground and background color to #f9f9f5 and #babebd. Make two selections around trains with feather = 30. Choose Filter-Render-Clouds:
Lower opacity to 30% and use layer mask to make some parts of train visible:

Step 28

Now we will make special railway for the trains. Open cloud stock and use Magic Wand Tool with Tolerance about 30-35 to click the blue part of sky then hit Cmd/Ctrl+Shift+I to invert selection. Set feather for this selection = 30. Copy it into a new layer then drag into our image, resize and place it beside train 1 as shown below:
Add layer mask to leave some some parts of this cloud visible only:
Duplicate this layer twice, transform and use layer mask and black brush to make our clouds get a look like this:

Step 29

With each cloud layer, i apply a Hue/Saturation layer with Clipping Mask:
Name them as “cloud railway 1″, “cloud railway 2″, “cloud railway 3″ or whatever you like.
Do the same for train 2 . Try to create a different look from train 1. Here is my result:
I notice that the bottom of these clouds which meet light from background a bit dark so i want to brighten it.
Create a new layer on the top ( no Clipping Mask), use soft white brush painting on this part, set this layer to Soft light 100%:

Step 30

Open man stock. Make selection for man only ( don’t take the can) and copy into a new layer. Move him into our document, resize and position him at the top of subway. The right hand is missed so we’ll add one for it. On man layer, make selection for left hand then copy it into a new layer. Apply Flip Horizontal and transform it to be fit the right hand:
Then merge two these layers, rename it as “man”.

Step 31

The man should have two shadows: one is under his feet and one on the subways. Create a new layer under man layer. Use black brush with medium hardness ( 40-50) and opacity about 70-80% to paint under his feet.
To make a shadow of the man on subway, we do the same technique done with traffic light.

Step 32

To change color of the man i use two adjustment layers with Clipping Mask:
Curves:
Hue/Saturation:

Step 33

In this step i will retouch white hair part to make him look younger. Make a new layer ( Clipping Mask), choose Clone tool and make sure that you’ve checked “Sample All Layers” on property bar. Clone over this part:
A new layer with the purpose to remove some muscles on man’s arms with Clone Tool :

Step 34

In this step i use many layers with Clipping Mask option to retouch color and brightness on some parts of the man.
Create two new layers and i use brush with color #b59582 painting on the arms. Put the mode of these layers as Multipy 50% and 70%:
Two layers with Soft light mode 100%, i use soft white brush and paint on hands to brighten them. You can see on screenshot below:
Two layers and i use brush with color #414344 . Set the mode of them to Multipy 50% and paint on the jeans:

Step 35

I use a Hue/Saturation layer with Clipping Mask to reduce saturation of man’s skin:

Step 36

Add light for the man by using Inner Shadow:
I want to make the light in some parts of the man more visible. So i make a new layer ( Clipping Mask) with Overlay mode and fill it with 50% gray:
Use Dodge Tool to brighten his clothes:

Step 37

Isolate suitcase, resize and place it beside the man:
With same technique used before we make two shadows for this suitcase:

Step 38

Use two new adjustment layers (Clipping Mask) to change colors of the suitcase:
Curves:
Hue/Saturation:

Step 39

I use a layer ( Clipping Mask) and brush with color #c1cad8. Paint on the top of this suitcase and change the mode to Multipy 100% to darken it a bit:
A new layer and i use brush with color #c1cad8 but to brighten outside the suitcase. Set the mode of it to Overlay 100%:

Step 40

Make a new layer on the top. Use brush with color #a19b8d painting on trains and clouds parts. Change the mode to Color 50%:

Step 41

I use some adjustment layers to change color of whole picture:
Gradient Map:
Change the mode of this Gradient Map layer to Soft light 70%.
Brightness/Contrast and Hue/Saturation
On Brightness/Contrast layer mask, use black brush to clear the contrast parts:

And We’re Done!

You can view the final outcome below. I hope that you enjoyed this tutorial and would love to hear your feedback on the techniques and outcome.

Download Source File for this Tutorial